One of my favorite humans, Kate Hart is author of AFTER THE FALL, due out in 2016 from FSG, and is basically everywhere on the internet. She and I took a break from a marathon Twilight series re-watch to talk witches and talking birds, what a gross word “networking” is, and finding the courage to tell our stories. Also Twilight.
Courtney C. Stevens
Talking with the wise and lovely Courtney C. Stevens, author of FAKING NORMAL and THE BLUE-HAIRED BOY, about building a writing community, writing how rock climbing made her a better writer.
Kaitlin Ward
Talking to Kaitlin Ward, whose debut novel BLEEDING EARTH is due out in Fall 2015, about the SIMS, teen horror, how she recovered from losing her first agent, and what video games inspire her.
Stephanie Kuehn
I met up with Stephanie Kuehn at a lovely holiday retreat in Vermont, where she set her Morris-award-winning debut, CHARM & STRANGE. Steph is deeply thoughtful and incredibly silly in equal measure, which makes her simply delightful. As we sat on a back porch with kids playing in a nearby hammock, we talked about Steph’s boarding school days, romanticizing Vermont, movie making, how starting to run gave her the confidence to start writing, and the experience of winning the Morris Award. I also refer to Mark Zuckerberg as a “millionaire.” Sorry for the downgrade, Zucks.
Libba Bray (Part 2)
The conversation continues, with Libba Bray, Printz award-winning YA author of THE DIVINERS and GOING BOVINE, discussing how she came to children’s literature, the struggle to balance honesty with self-preservation, and writing with depression.
Libba Bray
The only thing better than getting to chat with YA icon Libba Bray (author of New York Times best-selling series A GREAT AND TERRIBLE BEAUTY, Printz award-winner GOING BOVINE, and genuinely terrifying historical paranormal THE DIVINERS, among others) about writing was getting to chat with her about life. Libba is as hilarious as she is wise, and our conversation was so fun, I decided to cut it into two parts rather than leave an hour or more on the cutting-room floor. In this episode, Libba talks about having her rock collection stolen as a kid, that one time Wes Anderson helped stage a play she wrote, and talks about how growing up in Texas set her head at a certain tilt.
Natalie Standiford
Meeting with Natalie Standiford was like stepping into a world where all my teen fantasies about what life as a writer would look like (amazing NY apartment, effortlessly chic clothes, a separate office with built-in shelves and a bass amp in the corner) were true. It was only made better by the fact that Natalie’s books - HOW TO SAY GOODBYE IN ROBOT, THE BOY ON THE BRIDGE, CONFESSIONS OF THE SULLIVAN SISTERS and so many more - are beautiful, thoughtful, and filled with quirky nuance. Natalie was so sweet and welcoming, and had wise, wise words about building up an immunity to writer’s block, writing about real-world fairylands, and finding creative release outside the written word.
Minisode Q&A
Cat Winters
Cat Winters, author of Morris Award finalist IN THE SHADOW OF BLACKBIRDS and THE CURE FOR DREAMING (out Oct. 14!) is kind, thoughtful, and soft-spoken, but don’t be surprised if she tells you she was wandering the Oregon woods on the last full moon. She writes killer historical mysteries with supernatural twists, the kind of stories that make you sleep with the lights on. Cat talks about her (long) road to publication, what she learned from hosting a daily blog about suburban vampires, and talks about her start writing Smurf fanfic. The best!
Marie Lu
Marie Lu is the author of the New York Times best-selling LEGEND series, and the first book in her new series,THE YOUNG ELITES, is out October 7! The written word taught Marie a new language, got her through high school, led her to take a chance on leading a creative life at a pivotal moment as college came to an end, and is now giving her the chance to see the world. Marie has truly inspiring things to say about when to recognize that you aren’t good enough for a story, how her visual thinking shows in her work, and what the push for diversity in YA has taught her.










